In 1968, I was still a dewy-eyed youth, fresh out of the Bronx and working on Capitol Hill for the House subcommittee that handled renewal of the National Endowment for Arts & Humanities. It's chairman, my boss was Indiana Congressman John Brademas, who later became president of New York University.
One day, Len Randolph, an endowment staffer called to say that Nancy Hanks (the head of the endowment and distant relation of President Abraham Lincoln) wanted to have a reception and would I help put together a list of people from the Hill who were involved in the legislation. Naturally, I put my name on the guest list. My sister had to mail me one of her outfits so I'd have something suitable to wear.
The reception was held at the Georgetown home of Michael Straight, a Rockefeller and cousin to then-New York Governor Nelson Rockefeller. It was the same house in which John F. and Jacqueline Kennedy lived when JFK served in the Senate. Making polite conversations at various locations around the living room when I arrived were George Stevens, Junior and Senior, Edward Villella, Agnes DeMille, and countless others. I tried to act like I belonged there, but I didn't.
Mingling around the room, I introduced a "Mrs. Rosenberg" to Congressman Brademas. Instead of smiling, the woman turned to me in horror and said, "It's Mrs. Roosevelt, dear, Roosevelt, not Rosenberg." In one fell swoop, I had transformed FDR's daughter-in-law into a Hadassah lady. Then all of sudden, there was a palpable flutter in the room. Gregory Peck had arrived.
I was dumbstruck. I circled the room hoping to get a better view of him. Finally, I asked Len Randolph to introduce me. He took my arm and led me across the room to where Gregory Peck and the great director, George Stevens, Sr. were standing. "Greg, I want you to meet someone." The room spun around. My knees were water. I was going to lose consciousness. An extremely tall, and very distinguished Gregory Peck swiveled around at the sound of his name. He smiled as his eyes glanced downward to greet me.
I heard myself gushing words at him. "Mr. Peck, I've been debating all night whether to tell you this or not, but you were in the very first film I ever saw and I've been in love with you ever since."
"What film was it? I certainly hope you weren't as frightened by it, as I was by the first film I ever saw which was 'Phantom of the Opera."
"It was 'David and Bathsheba."
"Omigod, I wish you had seen a better film."
Could it be? Was Gregory Peck actually flirting? With me?
And there we stood talking about movies for the entire evening. We talked about "Spellbound," and the famous skiing scene with Ingrid Bergman because the movie had just been on television; and we talked about Elizabeth Taylor and Rock Hudson making "Giant." He told me he had a son just about my age who was also working in Washington at the time. Through it all, out of the corner of my eye I spied his very beautiful but obviously long-suffering wife, Veronique patiently tolerating yet another female fawn over her very handsome husband.
He never left my side for the entire evening. He treated me like I was just like anybody else in that living room. Eventually the reception ended and it was time to go home. I saw he and his wife put on their coats and leave. As I waited in the entry hall for someone to bring me my coat so I could go too, I felt a tap on my shoulder. I turned. It was Gregory Peck. He had already left, but returned to say goodbye to me. He shook my hand and said, "Don't forget 'David and Bathsheba!"
Though it is true I have always loved him, his kindness to me that night is still the most memorable, exciting, and thrilling moment of my entire life. Thank you Gregory Peck and rest in peace.